I was photographing some outdoor sculptures for a friend when this young fellow walked by and asked if I would take his picture. “Sure”, I said, “just play yourself.”
He introduced himself as Joseph, and mentioned he’d like to make it in the music biz. I wanted the image to be something he could use to promote himhelf. Perhaps a bit stylized for “street photography”, so I’ll refer to it as a “stylized street portrait.”
From my original Dixie Furniture Plant post back on March 12th, I had a few more dramatic abandoned landscapes I wanted to share. The black & white compositions followed my typical b&w workflow which includes process with Alien Skin’s Exposure 7 to emulate Agfa APX 100 b&w film. The color image was processed to emulate Kodachrome slide film.
I appreciate you taking time to visit my blog. Click on an image to view a higher resolution version from my portfolio site.
The Salem Cemetery was originated by the Moravian Church in the 1770s. Currently over 40 acres in size, its rolling hills create a unique resting place for over 6000 souls. After work last Thursday, I visited as late afternoon was transitioning into sunset. The long shadows and dramatic lighting offered several photographic opportunities.
When I first noticed this scene, I was intrigued.There was something interesting, but I couldn’t quite clarify what I was reacting to.So I composed a few shots based on what I thought I saw.Maybe it was the flowing branches contrasting against rigid brick wall.
A few days later, towards the end of my typical b&w workflow, the composition began to reveal itself.For me, I now understand the beauty experienced from this composition comes from the way it makes me feel.Sure, there may be some cool textures, patterns, shadows and contrasting abstract elements.But these individual elements all seem to combine to create a unique alternative experience, greater than the sum of the parts. Click on the image to see a high-res version from my portfolio site and see if you have a similar reaction. View full screen on a desktop monitor to get the best experience.
Of course, I could just be full of crap. Perhaps I’m too close to the work.
I’m gonna go with what I feel, and then what I see.And I do feel a strong engagement with this composition.Especially when I don’t try to analyze, but instead just “experience” what it has to offer. How does it specifically make me feel? Intrigued, but more than before. What’s more important, is “how does it make you feel?’
Captured last June, I’ve been working on and off on this composition for quite a while. One of the common symptoms of Attention Deficit Disorder is difficulty in finishing personal projects. Well, that definitely describes me. I’ll work on a composition in post for a bit, then move on to another task which is more interesting or urgent. But associative thinking also drives the creative mind. That’s my story, and I’m sticking to it! 🙂
This abstract composition was captured at our central bus terminal here in High Point. At the center of the Spring and Fall International Furniture Market, it serves as a vital transportation hub for market visitors, vendors, logistics resources and local folks. The dramatic clouds, late afternoon sun and architectural features at the terminal combined to make a great photo opportunity.
Thanks for taking time to visit my blog today! Click on the image to see a high-res version from my portfolio site.
If you only saw the battle reenactment, then you missed the other half of this wonderful event. This post features members of the 6th North Carolina Regiment, part of the NC Historical Reenactment Society, along with other regional organizations in the 18th century encampment.
Before the battle reenactment, the encampment is an authentic historical representation of 18th century life. While the soldiers clean their muskets, you have cooking. artisan demonstration and related vendor stalls to visit.
Thanks for stopping by today, if you liked this post, you’ll want to checkout the other posts in this 2017 Battle of Guilford Courthouse series. Click on any image to see a higher resolution version from my portfolio site.
The high degree of authenticity experienced at the reenactment is a testament to the dedication of the participants. I heard from one of the soldiers, “What you see, is how it was.” What I find interesting is the variety of militia dress, and military uniforms on both sides of the conflict. The crescent moon on the helmets of the 2nd South Carolina Regiment, shown below, is a fascinating example.
You can also see the crescent moon shaped gorget around the neck of the officer in the foreground. During Middle Ages, the gorget was the part of a knight’s armor, which protected the throat. By the 18th century, smaller silver and gold gorgets were worn by officers in most European armies. The “Liberty” inscribed crescent moon first appeared in 1775 on the South Carolina battle flag of Colonel William Moultrie as he successfully defended Sullivan’s Island against the British fleet, saving Charleston.
The need to sustain a military presence in various parts of the world forced King George to sign treaties with several German principalities. He would “lease” German troops to help quell the American rebellion. The Hessian Musketeer Regiment von Bose was under the command of Cornwallis in the American Southern Campaign.
The 71st Regiment of Foot was raised from several Scottish clans in April of 1776. They served in many northern campaigns before being sent to support Cornwallis in the south. During the Battle of Guilford Courthouse, they supported the British right. They were sometimes referred to as Fraiser’s Highlander’s.
The image below represents “Light-Horse Harry” Lee, as Lieutenant Colonel of Lee’s Legion. His Legion of mixed corps of cavalry and light infantry supported Greene in several battles and skirmishes. His Legion is also known for numerous raids behind enemy lines, reconnaissance and surveillance, and guerilla warefare. Lee is also the father of Confederate General Robert E. Lee.
In March of 1781, General Nathanael Greene, Washington’s commander in the Southern Campaign, had drawn Cornwallis into the North Carolina back-country. Weaken from his stinging loss to Daniel Morgan two months earlier at the Cowpens in South Carolina, Cornwallis was also 125 miles beyond his nearest supply line.
Cornwallis and Greene met March 15th near Guilford Courthouse. Local militia fired two volleys and then fell back to the American second line of Continental regulars. Though dense woods broke the American & British lines into smaller skirmishes, after intense fighting, the British pushed forward to below the American Third line.
At the Third Line, the Americans fiercely defended the higher ground at Guildford Courthouse. As Cornwallis began to reformed his line for a final assault, Greene realized his army could be lost if he continued the fight. He was able to exit the battleground with little pressure. Though Cornwallis had won the field, he had also lost 25% of his army.
Further weakened, Cornwallis would give up on the Carolinas and march northeast to take Virginia. Cornered by the French at sea and the perusing Continentals on land, Cornwallis was forced to surrender during the Siege of Yorktown, Virginia in October of 1781.
This first post features reenactors from the 6th North Carolina Regiment, officially called the North Carolina Reenactment Society, based out of Charlotte, NC. The Regiment members portray American, British and sometimes Scottish and German troops, as well as eighteenth century crafts, cooking and encampments.
For this post, I decide to process the images to emulate a desaturated, vintage Kodachrome film stock. A distressed black border gives the compositions an antique, weathered feel. The processing and overall feel of these images looks much better in hi-res. Click on any image to see a higher resolution version from my portfolio site.
I have several more compositions from the reenactment to share in forthcoming posts. Thank you for stopping by today!