I initially processed these BB&T building and Wells Fargo Tower architectural compositions, from downtown Winston-Salem, with over-top-HDR color tonality. Afterwards though, I experimented with color luminosity settings in monochrome. The resulting monochrome tonality range is quite impressive, but the near abstract HDR color styling is kinda cool as well. What do you think?
Last week I traveled to Uptown Charlotte for a couple days of business meetings . After work, I found my way to the street and was rewarded with many composition opportunities. Here’s the first in series street photos featuring architectural abstracts.
Thank you for stopping by for a visit. For the best viewing experience, click on an image to see a high resolution version.
In late April, I met my oldest son Austin in Charlotte to attend a University of North Carolina at Charlotte, Delta Sigma Phi fraternity event in Uptown (I’m also a Delta Sig, but from NC State). We rode the light rail from the University of the UNCC station to the Arena Station in Uptown. From there we walked through the Epicentre area to our destination on Trade and Tryon Streets. Of course, I was in the rear capturing these street photos along the way.
Thanks for checking out this post. To see these image in full effect, click to see a high resolution version from my portfolio site.
For the image below, I patiently waiting about 30 minutes after sunset for the photocell in the lighthouse to finally turned on the lighthouse beacon. Yep, the kerosene lamp and Fresnel lens were replaced back around 1934.
The remaining images in this post, along with most in the previous post, were captured the following day when my Scout Troop visited the Cape Hatteras National Seashore park. Because I usually linger to get the best shot, they’ve learned not to wait on me.
Because of high winds, I was only able to lean outside the door to the lighthouse balcony. If you look at the image below, along the right side of the horizon line, you can see the breakers along the leading edge of the Diamond Shoals mentioned in the previous post. For a better view of this image, or any other image in this post, click to see a high resolution version.
The steel and wood groin shown below, was a last ditch effort to save the lighthouse. Sand is captured on the updrift side, in this case on the left side, at the expense of lost sand deposits on the right (downdrift) side. No that the Hatteras Lighthouse has been moved further away from the seashore, I wonder if this groin will be removed, or left to deteriorate over time.
At 210 ft tall, the Cape Hatteras Lighthouse is the tallest brick lighthouse in the United States, and second tallest in the world. Just off the cape, the warmer Gulf Stream collides with the colder Labrador Current creating shifting sandbars and powerful ocean storms. The resulting Diamond Shoals and surrounding areas have claimed over 5000 ships and countless lives.
Since 1871, in it’s second incarnation, the lighthouse has helped mariners navigate around these treacherous waters. By the 1990s however, the encroaching sea was just 15 feet, (4.6 m) from the lighthouse foundation. In 1999, the structure was moved 2,990 ft (880 m) and is now 1,500 ft, (460 m) from the current shoreline.
During my exploration and study of the lighthouse interior, I sent members of my Scout party ahead with direction not to wait on me. I intended to use two legs of my tripod along with the wall or railing to squeeze out a few additional stops of depth of field. Unfortunately, tripods are not allowed inside the lighthouse. Keeping my ISO between 800 and 1200, I was able to get satisfactory captures with my Tamron 15mm-30mm wide angle at f2.8.
I have several additional compositions from Cape Hatteras to share in my next post. Click on an image to see the high resolution versions of this iconic structure. Have a great week!